Archive for May, 2012


Carl G. Jung – The World Within – YouTube

The Red Book | Ideas with Paul Kennedy | CBC Radio

The Red Book | Ideas with Paul Kennedy | CBC Radio

Carl Jung discusses Freud

the cultural studies reader: Carl Jung – The Archetypes of the Collective Unconscious – What are Archetypes

Carl Jung


Oedipal Demon Child

Time magazine breastfeeding cover: Jamie Lynne Grumet has no plans to stop | Mail Online

Mudslide of occultism in action. A catapult demon child aura manipulation in action [ref: 3 chapters of catapulting files] Carl Jung: Wounded Healer of the Soul: An Illustrated Biography (9781780281148): Claire Dunne, Jean Houston, Olivier Bernier: Books

Why did Sigmund Freud believe that civilization could not permit human beings to be completely free? – Yahoo! Answers

Sigmund Freud’s Theory of Psychosexual Development – Wednesday Wanderings

Carl Jung Depth Psychology: The Evolutionary Leap into Aquarius by Maureen Roberts

Sigmund Freud: The Jew Behind The Sexual Revolution | Jett and Jahn Media

Elder Sophrony and Carl Jung | Just Another Jim

Carl Jung


Carl Jung « Susan’s Blog Synchronicity: Nature and Psyche in an Interconnected Universe (Carolyn and Ernest Fay Series in Analytical Psychology) (9781603441438): Dr. Joseph Cambray PhD, David H. Rosen: Books

CARL JUNG – REGAINING RELIGION – The Spirit of Things – ABC Radio National (Australian Broadcasting Corporation)

Symbol Links

Interview on Synchronicity and Symbols

John Cleese on Creativity – YouTube Cleese on Creativity Power

Symbols Intel

‘Agents for dark forces use hyped and talented artists to do this for them but this action is not enough on its own because all the emotional respect (spiritual energy) created at the event would simply go to the artist and not to the dark forces promoting the artists.  Yes? So the Serpent has very crafty displayed its own symbolism on stage and/or the festival locations are very symbolic in themselves (or both!). This enables them to attract the spiritual energy towards the symbolism itself and not just the performing artists. The use of symbolism is very important because if the audience at a festival are made to feel emotional about the performer on stage then they also feel emotion, subconsciously, for the symbolism being displayed at the same time. I suppose the situation is on a par with a surge of electricity being sent through the stage, not only would the performers get a shock so would all the other items that conduct electricity. In other words ‘spiritual energy’ can feed the creators of the symbolism on show. The real creators of the symbolism on show are entities in other dimensions; hence ‘they’ receive the spiritual energy created at festivals that bear their symbolism.
The Serpent also uses ambiguous symbolic lyrics hidden in the songs that were allegedly penned and created by celebrity bands to get the crowd to collectively sing ambiguous words (Praise to the Gods), this also creates spiritual energy. (As mentioned in the beside the seaside article) For example Glastonbury uses a Pyramid Stage, so when the crowd feel emotion for artists at Glastonbury they will also give spiritual energy to symbolism (Pyramid etc) being displayed, simply because ‘emotional respect’ for the artist will also create ‘spiritual energy’ for the symbolism and this energy empowers things in a totally different way than you may imagine.
Emotional respect = Spiritual energy.
When you show emotional respect to something you are literally giving your spiritual powers to it. All those attending a rock concert are innocently giving their spiritual energies, not only to their idols on stage, but to the symbolism being displayed too.”